free hosting   image hosting   hosting reseller   online album   e-shop   famous people 
Free Website Templates
Free Installer

Jogular Morotario Sectory 03
Page 07

Take care to plant good hybrid Jogular Morotario seeds of thought.

Jogular Morotario

Jogular Morotario Home
Jogular Morotario Sitemap
Jogular Morotario Sct 01
Jogular Morotario Sct 02
Jogular Morotario Sct 03
Jogular Morotario Sct 04
Jogular Morotario Sct 05
Jogular Morotario Sct 06
Jogular Morotario Sct 07
Jogular Morotario Sct 08
Jogular Morotario Sct 09
Jogular Morotario Sct 10
Jogular Morotario Sct 11
Jogular Morotario Sct 12
Jogular Morotario Sct 13
Jogular Morotario Sct 14
Jogular Morotario Sct 15
Jogular Morotario Sct 16
Jogular Morotario Sct 17
Jogular Morotario Sct 18
Jogular Morotario Sct 19
Jogular Morotario Sct 20
Jogular Morotario Sct 21
Jogular Morotario Sct 22
Jogular Morotario Sct 23
Jogular Morotario Sct 24

Jogular Morotario Sectory 03
Page 07

Space would fail me if I now sought to carry you off to the cave of Altamira, near Santander, in the north-west of Spain. Here you might see at its best a still later style of rock-painting, which deserts mere black and white for colour-shading of the most free description. Indeed, it is almost too free, in my judgment; for, though the control of the artist over his rude material is complete, he is inclined to turn his back on real life, forcing the animal forms into attitudes more striking than natural, and endowing their faces sometimes, as it seems to me, with almost human expressions. Whatever may be thought of the likelihood of these beasts being portrayed to look like men, certain it is that in the painted caves of this period the men almost invariably have animal heads, as if they were mythological beings, half animal and half human; or else--as perhaps is more probable--masked dancers. At one place, however--namely, in the rock shelter of Cogul near Lerida, on the Spanish side of the Pyrenees, we have a picture of a group of women dancers who are not masked, but attired in the style of the hour. They wear high hats or chignons, tight waists, and bell-shaped skirts. Really, considering that we thus have a contemporary fashion-plate, so to say, whilst there are likewise the numerous stencilled hands elsewhere on view, and even, as I have seen with my own eyes at Niaux in the sandy floor, hardened over with stalagmite, the actual print of a foot, we are brought very near to our palaeolithic forerunners; though indefinite ages part them from us if we reckon by sheer time.

According to the accounts given in the chronicles of the times, the negotiations were opened in the following manner: One day the Portuguese ambassador at London came to a certain high officer of the king's household, and introduced the subject of his majesty's marriage, saying, in the course of the conversation, that he thought the Princess Catharine of Portugal would be a very eligible match, and adding moreover, that he was authorized to say that, with the lady, very advantageous terms could be offered. Charles said he would think of it. This gave the ambassador sufficient encouragement to induce him to take another step. He obtained an audience of Charles the next day, and proposed the subject directly for his consideration. The ambassador knew very well that the question would turn, in Charles's mind, on the pecuniary and political advantages of the match; so he stated at once what they would be. He was authorized to offer, he said, the sum of five hundred thousand pounds [Footnote: Equal to two or three millions of dollars.] as the princess's portion, and to surrender to the English crown various foreign possessions, which had, till then, belonged to the Portuguese. One of the principal of these was the island of Bombay in the East Indies. Another was Tangier, a port in Africa. The English did not, at that time, hold any East Indian territories. He likewise offered to convey to the English nation the right of trading with the great South American country of Brazil, which then pertained to the Portuguese crown.



[ Dir 03 Part 01 ] [ Dir 03 Part 02 ] [ Dir 03 Part 03 ] [ Dir 03 Part 04 ] [ Dir 03 Part 05 ] [ Dir 03 Part 06 ]
[ Dir 03 Part 07 ] [ Dir 03 Part 08 ] [ Dir 03 Part 09 ] [ Dir 03 Part 10 ] [ Dir 03 Part 11 ] [ Dir 03 Part 12 ]


This document is Copyright © 2008 Jogular Morotario. All rights reserved. Do not copy either electronically or otherwise without permission. Links and references to other Websites are not endorsements. Jogular Morotario provides no guarantees or warrantees concerning other sites. Links are only provided as a courtesy and for entertainment purposes only.