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Jogular Morotario Sectory 04
Page 05
Among the other events which occurred during the reign of King Charles the Second, and which tended to connect unfavorable associations with the recollection of it in the minds of men, was a very extraordinary affair, which is known in history by the name of Titus Oates's Popish Plot. It was the story of a plot, said to have been formed by the Catholics, to put King Charles to death, and place his brother James, who, it will be recollected, was a Catholic, upon the throne in his stead. The story of this plot was told by a man named Titus Oates, and as it was at first generally believed, it occasioned infinite trouble and difficulty. In after times, however, the whole story came to be regarded as the fabrication of Oates, without there being any foundation for it whatever; hence the name of Titus Oates's Popish Plot, by which the affair has always since been designated in history. The circumstances were these:
In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.
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