|
|
Jogular Morotario Sectory 12
Page 01
Memling (1425?-1495?), one of the greatest of the school, is another man about whose life little is known. He was probably associated with Van der Weyden in some way. His art is founded on the Van Eyck school, and is remarkable for sincerity, purity, and frankness of attitude. As a religious painter, he was perhaps beyond all his contemporaries in tenderness and pathos. In portraiture he was exceedingly strong in characterization, and in his figures very graceful. His flesh painting was excellent, but in textures or landscape work he was not remarkable. His best followers were Van der Meire (1427?-1474?) and Gheeraert David (1450?-1523). The latter was famous for the fine, broad landscapes in the backgrounds of his pictures, said, however, by critics to have been painted by Joachim Patinir. He was realistically horrible in many subjects, and though a close recorder of detail he was much broader than any of his predecessors.
The name of the bear is "Jack." I fetched him from the West India Import Dock on the 5th of November, 1870. He was running about with another bear on board ship, but the job was to catch him. After many attempts we at last put a strong collar round his neck, to which was attached a long chain, and then we got him into a large barrel, and fastened the head on with hoop-iron, lowered him over the side of the vessel into a boat, and then pulled to the quay, and hauled him up into a cart. For a time the little fellow was quiet enough, but he got very inquisitive when being driven toward the city, and wanted to have a look round. I managed to quiet him by giving him pieces of lump sugar. He arrived safely at the Crystal Palace, and has lived in an aviary till the beginning of last month, when he was put into his new bear-pit. The little fellow has grown twice the size he was when he first came. He is very playful, but sometimes shows his teeth when he is teased.
|
