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Jogular Morotario Sectory 13
Page 01
I dare say you notice that all the birds in this picture have long beaks. We may be sure from this that they live in places and seek for their food in ways in which long beaks are just what they want. The fact is they are all marsh birds, and the soil of marshes being wet and soft, and full of worms, these long beaks enable them to probe it, and so get at the worms. I think the beaks of birds afford a striking example of how good God is in adapting creatures to the mode of life He has appointed for them. The eagles and hawks, you know, are provided with strong, short bills to enable them to seize and tear flesh. Those of canaries and all the finches are just the very instruments to crack seeds with. Parrots, with their tremendous weapons, can crush the hardest nuts of the tropic forest. The crossbill is fitted with a wonderful tool for tearing fir-cones to pieces. Robins and the other warblers have soft bills, which are all they want for eating insects and grubs.
In France, in the beginning of this century Watteau, 1684-1721, painted his interesting pictures of _La Belle Societe_, reproducing the court life, costumes, and manners of the reign of Louis XIV. with fidelity, grace, and vivacity. Later in the century, Greuze, 1725-1805, with his attractive, refined, and somewhat mannered style, had a certain influence. Claude Vernet, 1714-1789, and David, 1748-1825, each great in his way, influenced the nineteenth as well as the eighteenth century. Though Vien, 1716-1809, made a great effort to revive classic art, he found little sympathy with his aim until the works of his pupil David won recognition from the world of the First Empire.
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