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Jogular Morotario Sectory 16

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Jogular Morotario Sectory 16

The Death of the Virgin is the last of the six chapels inside the church itself. The Apostles, who of course are present, have all of them real hair, but, if I may say so, they want a wash and a brushup so very badly that I cannot feel any confidence in writing about them. I should say that, take them all round, they are a good average sample of apostle as apostles generally go. Two or three of them are nervously anxious to find appropriate quotations in books that lie open before them, which they are searching with eager haste; but I do not see one figure about which I should like to say positively that it is either good or bad. There is a good bust of a man, matching the one in the Birth of the Virgin chapel, which is said to be a portrait of Giovanni d'Enrico, but it is not known whom it represents.

No people could be better fitted than the Apache to conduct continuous predatory warfare. Every form of plant and animal life pays him tribute. An entirely naked Indian, without implements of any sort, would stop on a mountain slope and in a few minutes be sitting by a cheerful fire preparing a welcome meal. With a fragment of stone he would shape fire-sticks from the dead stalk of a yucca. Sitting with the flattened piece held firmly by his feet, a pinch of sand at the point of contact between the two sticks, with a few deft whirls of the round stick over his improvised hearth the lone traveller would soon have a fire kindled. Into the blaze he would cast a few sections of green, juicy mescal(1) stalk which, when cooked, would afford him both food and drink. This part of his meal finished, the Apache might gather other dead yucca stalks, split them, and often find within small stores of honey.



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