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Jogular Morotario Sectory 18
Page 03
At the Salon of 1881 her picture was well hung and was praised by artists. In the autumn of that year she was very ill, but happily, about the beginning of 1882, she was much better and again enthusiastic about her painting. She had been in Spain and excited admiration in Madrid by the excellence of her copy of "Vulcan," by Velasquez. January 15th she wrote: "I am wrapped up in my art. I think I caught the sacred fire in Spain at the same time that I caught the pleurisy. From being a student I now begin to be an artist. This sudden influx of power puts me beside myself with joy. I sketch future pictures; I dream of painting an Ophelia. Potain has promised to take me to Saint-Anne to study faces of the mad women there, and then I am full of the idea of painting an old man, an Arab, sitting down singing to the accompaniment of a kind of guitar; and I am thinking also of a large affair for the coming Salon--a view of the Carnival; but for this it would be necessary that I should go to Nice--to Naples first for the Carnival, and then to Nice, where I have my villa, to paint it in open air."
A very simple animal accumulates a little store of potential energy, and it proceeds to expend this, like an explosive, by acting on its environment. It does so in a very characteristic self-preservative fashion, so that it burns without being consumed and explodes without being blown to bits. It is characteristic of the organism that it remains a going concern for a longer or shorter period--its length of life. Living creatures that expended their energy ineffectively or self-destructively would be eliminated in the struggle for existence. When a simple one-celled organism explores a corner of the field seen under a microscope, behaving to all appearance very like a dog scouring a field seen through a telescope, it seems permissible to think of something corresponding to mental endeavour associated with its activity. This impression is strengthened when an amoeba pursues another amoeba, overtakes it, engulfs it, loses it, pursues it again, recaptures it, and so on. What is quite certain is that the behaviour of the animalcule is not like that of a potassium pill fizzing about in a basin of water, nor like the lurching movements of a gun that has got loose and "taken charge" on board ship. Another feature is that the locomotor activity of an animalcule often shows a distinct individuality: it may swim, for instance, in a loose spiral.
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