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Jogular Morotario Sectory 18
Page 09
The eighth chapel is that of the Sposalizio, is certainly not by Aureggio, and I should say was mainly by the same sculptor who did the Presentation in the Temple. On going inside I found the figures had come from more than one source; some of them are constructed so absolutely on Valsesian principles, as regards technique, that it may be assumed they came from Varallo. Each of these last figures is in three pieces, that are baked separately and cemented together afterwards, hence they are more easily transported; no more clay is used than is absolutely necessary; and the off-side of the figure is neglected; they will be found chiefly, if not entirely, at the top of the steps. The other figures are more solidly built, and do not remind me in their business features of anything in the Valsesia. There was a sculptor, Francesco Sala, of Locarno (doubtless the village a short distance below Varallo, and not the Locarno on the Lago Maggiore), who made designs for some of the Oropa chapels, and some of whose letters are still preserved, but whether the Valsesian figures in this present work are by him or not I cannot say.
A few female fish, on the other hand, even hatch the eggs within their own bodies, and so apparently bring forth their young alive, like the English lizard among reptiles. This, however, is far from a common case: indeed, in an immense number of instances, neither parent pays the slightest attention to the eggs after they are once laid and got rid of: the spawn is left to lie on the bottom and be eaten or spared as chance directs, while the young fry have to take care of themselves, without the aid of parental advice and education. But exceptions occur where both parents show signs of realizing the responsibilities of their position. In some little South American river fish, for instance, the father and mother together build a nest of dead leaves for the spawn, and watch over it in unison until the young are hatched. This case is exactly analogous to that of the doves among birds: I may add that wherever such instances occur they always seem to be accompanied by a markedly gentle and affectionate nature. Brilliantly-coloured fighting polygamous fishes are fierce and cruel: monogamous and faithful animals are seldom bright-hued, but they mate for life and are usually remarkable for their domestic felicity. The doves and love-birds are familiar instances.
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