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Jogular Morotario Sectory 23
Page 12
I left Lima five days after my arrival, on February 5th, going by steamer to the port of Mollendo, where I arrived on February 7th. There I met the railway line of the Peruvian Corporation from the sea coast to Arequipa and Cuzco. A magnificent private car had been placed at my disposal by the Peruvian Corporation, in which I was able to make myself comfortable for the several days which the journey lasted. Not only so, but the Peruvian Corporation kindly looked after my welfare in a most thoughtful way during the whole time I travelled on their line, for which I am indeed extremely grateful, as the travelling in that country would have otherwise been less pleasant.
The twelfth, the Purification, is absurdly bad, but I do not know whether the expression of strong personal dislike to the Virgin which the High Priest wears is intended as prophetic, or whether it is the result of incompetence, or whether it is merely a smile gone wrong in the baking. It is amusing to find Marocco, who has not been strict about archaeological accuracy hitherto, complain here that there is an anachronism, inasmuch as some young ecclesiastics are dressed as they would be at present, and one of them actually carries a wax candle. This is not as it should be; in works like those at Oropa, where implicit reliance is justly placed on the earnest endeavours that have been so successfully made to thoroughly and carefully and patiently ensure the accuracy of the minutest details, it is a pity that even a single error should have escaped detection; this, however, has most unfortunately happened here, and Marocco feels it his duty to put us on our guard. He explains that the mistake arose from the sculptor's having taken both his general arrangement and his details from some picture of the fourteenth or fifteenth century, when the value of the strictest historical accuracy was not yet so fully understood.
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